“What a hideous repertoire! If you are in earnest about wanting to earn money, why on earth don’t you accept an engagement here?” “An engagement?” she queried. Her situation was perplexing her very much, and the Widgett atmosphere was lax and sympathetic, and provocative of discussion. The program was to include a Bach cantata, her favorite piece from Rimsky-Korsakov’s Scheherazade, and for the first time ever, a student composition, a Concerto, by a precociously talented fellow student named Martin Chen.
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