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Contrasted with the confused movement and presences of a Fabian meeting, or the inexplicable enthusiasm behind the suffrage demand, with the speeches that were partly egotistical displays, partly artful manoeuvres, and partly incoherent cries for unsoundly formulated ends, compared with the comings and goings of audiences and supporters that were like the eddy-driven drift of paper in the street, this long, quiet, methodical chamber shone like a star seen through clouds. Gosse had come to Blaye, so he had said, feeling it his duty as the vicomte’s erstwhile secretary to deliver the fateful tidings, bringing with him one of the servant girls, Yolande, who had also escaped the fury of the mob. . . At length he proceeded toward McClintock's bungalow, drawn by the lights and the sound of music. And yet the secondary emotion was one of suspicion. The miserable woman staggered, uttered a deep groan, and fell senseless on the straw. But in its stead—toward morning—there appeared another idea which appealed to him as sublime, appealed to the primitive conscience, to his artistic sense of the drama, to the poet and the novelist in him. Then Anna spoke more seriously than usual. After he was gone in the morning, Ruth would steal into the study and hurriedly read what he had written the previous night.
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