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Her father’s step quickened to a trot. And Mother trusted him. “I remember you now,” he said. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. But she had not reckoned with the etiquette of Canongate. Of a certainty, she also was imbecile. He never cries nor frets, as children generally do, but lies at my bosom, or on my knee, as quiet and as gentle as you see him now.

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