The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. But with returning breath came returning vociferations; and the carpenter, with a faint hope of lessening the clamour by change of scene, took up his lantern, opened the door, and walked out. ‘Dare I suppose that to be of her making?’ Gerald flushed.
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