“Broddick is a heavy man,” he was saying, “and the main interest of the play was the embezzlement. “For Heaven’s sake, Dunster, don’t let her out of the carriage, or hansom, or whatever she came in. . They don’t catch on to discursive interests, you see, because they are more serious, they are concentrated on the central reality of life, and a little impatient of its—its outer aspects.
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